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  • Record/Vinyl + Digital Album

    Includes unlimited streaming of Dataland via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Compact Disc (CD) + Digital Album

    Vinyl replica CDR in Sam Giles hand-made sleeve. Contains 2 extra tracks originally released on lathe-cut 10" Skull Pilot / Unconscious.

    Includes unlimited streaming of Dataland via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

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  • Red & White splatter vinyl LP
    Record/Vinyl + Digital Album

    DATALAND on red & white splatter effect vinyl with A4 insert.

    Includes unlimited streaming of Dataland via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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  • CDR in LP replica sleeve
    Compact Disc (CD) + Digital Album

    Vinyl-replica CDR in hand-made sleeve

    Includes unlimited streaming of Dataland via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
Lost Hours 06:20
Lost hours: I forgot what happened, A life half-remembered. Lost hours, Working on nothing, On nothing worth working on. Lost hours, Falling in love And falling right out again. Lost hours, Watching late night films With people I cannot remember. Lost hours, Stuck in some meeting, Pen on paper. Lost hours, Rewinding a cassette Then watching it all again. Lost hours In the shopping centre, Looking for love. Lost hours, Lying on my bed, Just lying on my bed. Lost hours, Listening to advice, Ignoring advice. Lost hours, Drinking cheap wine On a cheap Friday night. Lost hours, Throwing money Down the fucking drain. Lost hours, Sat in the car, Sat in the car, Sat in the car. Lost hours, In the big bad city, Looking for an exit. Lost hours, Drinking tea, Reading about Brexit. Lost hours, Staring in the mirror, Being someone else. Lost hours, Unthankful of past. Here’s to the future. Fuck the past.
2.
Formica Desk 07:09
I have lost count of the days, Wandering the four corners of each room in search of inspiration, Writing notes on the gardening calendar, Compiling a list of my favourite lists. I have lost touch with the social scene, The smell of fresh coffee percolating, Snatches of low-level received pronunciation, The feeling that I was going somewhere, Although that was only ever a vague sensation. A writ has been served on the globalised economy By a vague assembly of the Left. They are clad in donkey jackets and hold megaphones aloft, Pointing like righteous cones to the sky. The costs for the case shall be borne by the state, naturally. My job deserted me: It went to work somewhere else, And left me sat a formica desk in the spare room, Staring into space. I have time now to contemplate quantum physics. At least I have the time. The physics do not need my consideration. They carry on, unimpeded, ignorant, A state of affairs that benefits us both. Interdimensional puppet-masters Rub their tentacles with glee As they survey a century’s work. Two glasses of red wine And four cans of Guinness, Two Fela Kuti albums, A fine way to finish. There’s one of them politicians on the telly. His lips are all a-quiver with ambition. I stare awhile at the lower half of his face Until it eventually morphs into sickly green tendrils. No doubt he is one of those psychopathic species That inhabits a world far beyond our homely star system. Best of luck to them all, The liars, braggarts, cheats and traders. I simply withdraw into the cool of the bathroom, Trimming rogue nasal hairs, Running a hot bath whilst naming French cities. Two glasses of red wine And four cans of Guinness, Two Fela Kuti albums, A fine way to finish.
3.
Remember now, You have choice. You forget, You have a voice. Remember now, What you’ve done, Them drunken nights, Of endless fun. It had to stop. It got too much. We fell apart, Losing touch. It had to stop, It got to daft. A million pints, A thousand laughs. Remember now The way to go: Down that street, Join the flow. Remember now, You had a name, You had a face, You played the game. Time to eat, Butter bread, Kettle on, Feed your head. Pace around, Rain outside. Time to live, Time to die. Make a mess, Make amends, Make or break, Around the bend. Make a move, Make me mad, Make you cry, Make me sad. Make a mess, Make amends, Make or break, Around the bend. Make a move, Make me mad, Make you cry, Make me sad.
4.
Shop Soiled 07:20
Seeing things every day, In the streets every day, I tell you it’s broke, I tell you there’s no hope. Just too many years, Without any change. Do I resign myself? Do I malign myself? Get to fuck, I’m busy. Time’s running out for me. Seeing things every day, In the streets every day, I tell you it’s broke, I tell you there’s no hope. Just too many years, Without any change. Do I resign myself? Do I malign myself? What’s going on here? What’s going on here? Shop soiled, my head’s boiled. Shop soiled, my head’s boiled. Going nowhere fast, Going nowhere slow. Time’s running out. Time is running out. Going nowhere fast, Going nowhere slow. Time’s running out. Time’s running out for me. Get to fuck, I’m busy Doing nothing, right? Stay home and drink, Stay home and think. Stay home and drink, Stay home and think. Stay home and drink, Stay home and think. Stay home and drink, Stay home and think. Two for one, three for two. Two for one, three for two. One step ahead Of the living dead. One step ahead Of the living dead. What’s going on here? What’s going on here? Get to fuck, I’m busy Doing nothing, right? Shop soiled, my head’s boiled. Shop soiled, my fucking head is boiled. Shop soiled, my head’s boiled. Shop soiled, my head’s boiled. Boiled, my fucking head is boiled. Seeing things every day, In the streets every day, Seeing things every day, In the streets every day, I tell you it’s broke, I tell you there’s no hope. Just too many years, Without any change. Do I resign myself? Do I malign myself? What’s going on here? Get to fuck What’s going on here? I’m busy. Shop soiled Doing nothing, right? My head’s boiled. Shop soiled, my fucking head is boiled. Shop soiled, yeah, my head’s boiled.
5.
Dataland 06:21
Feed the data in, See the knowledge grow. Enter in the numbers: We just need to know.
6.
Conditions are favourable to some, under the atmospheric dome. Daily team briefings are scheduled for the next one hundred years. A murderous biotech claw lifts the prize from the box. We watch it, gobs wide open in dismay, Powerless to do anything except gawp at the screen, Disabled, muted, neutralised, neutered. Your life is now one singular debit payment, Wired direct to the accounts of those who pull levers, Those who push buttons. Hyenas in flak jackets patrol the streets, Mopping up the socially excluded. They take their orders from the regional manager. No point in appealing to lost liberal causes. No point in doing anything. Just stare at that screen, Lost in someone else’s childhood memories. Eat your Corporation Pizza, citizen. Yes, the base is dry. Yes, the topping is sparse. Drink your Corporation Gin, citizen. The taste is bitter. You’ll find it to your liking. The siren has sounded: Underground, ye infidels! Condemned to play online Scrabble for the rest of the fucking year. Contact is limited to staccato sentences of profound triviality, Typed out in anxious runes by bony fingers Belonging to no-one in particular. The Corporation does not recognise your face. Your credit has been frozen. You crawl into an abandoned shopping trolley And disappear. “Didn’t you see it coming,” says the freeze-dried Messiah, “The day when we all shall live alone?”

about

DATALAND is a meditation upon the average existence of a 'developed-world' human in the early 21st century. Whilst not struggling with the harsh physical demands of industrial labour as we did in the recent past, our plight continues to embody the melancholia and confusion of alienation. Under the bewildering complexity of rationalised social and economic systems, we may indeed have become unwitting prisoners within what the sociologist Max Weber termed, "the iron cage of bureaucracy" - tripping the minutes away in a daily pantomime of data-driven surrealism. This six song collection is a fusion of electronica, monologue, 'real drums' and guitar, and was recorded at various locations in sad old England over the last two years or so. An almost psychedelic sense of puzzlement, nausea and fatigue accompanies being lost in the omnipresent number-generating machines and anti-human modelling systems that now run our world. This is the realisation that defines the essence of the album - that your life is now only as real as what is displayed on the screen of your constant technological companion. [Adam Stone]

credits

released January 29, 2021

Adam Stone - voice

Black Tempest:
Stephen Bradbury - synths, sequencers, keyboards

Dead Sea Apes:
Brett Savage - guitars
Jack Toker - bass
Chris Hardman - drums, percussion, tambura, samples
Alistair Reid - additional synth on Time To Eat Again and Shop Soiled

Words by Adam Stone
Music by Stephen Bradbury, Chris Hardman, Brett Savage and Jack Toker

Produced and recorded by Stephen Bradbury, Adam Stone, Chris Hardman, Brett Savage and Jack Toker
Edited, mixed and mastered by Chris Hardman

Godalming - Bollington - Stockport - Ancoats - Stalybridge - Todmorden - 2018 / 2020

© / ℗ 2020 Adam Stone / Dead Sea Apes / Black Tempest

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Dead Sea Apes Manchester, UK

3 person instrumental leviathan

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